Western Carolina University presents 'A Chorus Line' Waynesville Smoky Mountain News ?'One' is my favorite song within this musical because it represents a typical Broadway musical, including beautiful sequined costumes and unforgettable ... |
![]() Brisbane Times | Andrew Lloyd Webber's "Love Never Dies" CBS News Webber holds the record for the longest-running musical on Broadway with "Phantom of the Opera," but he may be better known to younger musical fans as the ... 'Phantom' full of surprises at La Comedia Dinner Theatre Phantom of Opera Sequel Opens Amid "Phan" Disquiet 'Phantom' Sequel Opens In London Today |
![]() FOX 9 News | Mamma Mia Comes to the Orpheum FOX 9 News Jukebox musicals are unique, in that the plot is weaved around a number of previously popularized tunes, rather than vice-versa. This Broadway smash hit, ... |
After a big drop last week, Broadway ticket sales show signs of life Ticket News The film is now being developed as a musical for Broadway, aiming at an opening on Valentine's Day in 2011. Joel Zwick will direct. ... |
Relationships take center stage in HCP spring fundraiser News Enterprise ?I Love You, You're Perfect, Now Change? is an off-Broadway musical that was first produced in 1996. It chronicles love and marriage in the suburbs, ... |
Does the study of music have a positive effect on a student's performance in math, science, writing or other subjects? Numerous studies say yes.
2. Lohr Named Whip, Ag Subcommittee Chair 2010-01-20 HARRISONBURG - Del. Matt Lohr, R-Broadway, has been named chairman of the House Subcommittee on Agriculture, according to a statement from the delegate's office.
The Elkton Town Council Monday opened bids from nine construction companies on improvements to the town's waste water collection system and to its sewer treatment plant, and authorized Mayor Larry Bompiani, pending a finding from the town's engineering consultant, to execute contracts with the two lowest bidders.
Dels. Matt Lohr , Todd Gilbert , Steve Landes , Dickie Bell , Ben Cline and Sen.
Firefighters were busy Thursday night working to put out a house fire west of Broadway.





For "Cave Quest," Takemoto tracked down or improvised a number of hard-to-find objects. The nun, for instance, needed a shawl of a certain color and texture that would look good under black light. The costume designer found fabric at a daunting $35 a yard. (The props budget was a few hundred dollars.) The ever-frugal Takemoto hit the thrift circuit: "I got the shawl at Goodwill for $4.95 and I got the senior discount."Just another day in the life.
Suppose, however, that the Academy of Motion Picture Arts and Sciences presented separate honors for best white actor and best non-white actor, and that Mr. Freeman was prohibited from competing against the likes of Mr. Clooney and Mr. Bridges. Surely, the academy would be derided as intolerant and out of touch; public outcry would swiftly ensure that Oscar nominations never again fell along racial lines.
Why, then, is it considered acceptable to segregate nominations by sex, offering different Oscars for best actor and best actress?
While it is certainly acceptable for sports competitions like the Olympics to have separate events for male and female athletes, the biological differences do not affect acting performances. The divided Oscar categories merely insult women, because they suggest that women would not be victorious if the categories were combined. In addition, this segregation helps perpetuate the stereotype that the differences between men and women are so great that the two sexes cannot be evaluated as equals in their professions.
The New York Times noted the "steady flow of directors, producers, and playwrights out of the theater" and into TV in a 1996 piece that name-checks writers Rebeck and Matt Williams. In 1994, the Los Angeles Times made a big deal about playwright Lisa Loomer's work on sitcoms, and in 1993 the newspaper reported the observation of Maria Gobetti, the artistic co-director of the Victory Theater, that one-third of the writers introduced to the public by the theater in the last 12 years were now doing most of their writing for film and TV.Next you know, they'll be running article on playwrights working in, gasp, movies. Those stories date from the 1920s!
The New York Times' 1990 piece, "Television Commissions Works by Playwrights," reported that NBC and Turner had hired Horton Foote, George C. Wolfe, and Arthur Kopit to write for them. A similar theme informs the Times' 1989 article, "Playwrights Tread the Welcome Mat in Hollywood." Playwrights named include Richard Greenberg, Terrence McNally, Marsha Norman, Albert Innaurato, John Pielmeier, Michael Weller, Tina Howe, Jeffrey Sweet, and the previously mentioned Overmyer.
A Los Angeles Times piece from 1988, "Thriving in Hollywood: Playwrights Can Work in the Industry and Love it?Artistically and Financially," finds playwrights swarming Hollywood productions. (The piece reports the hiring of Jon Robin Baitz by HBO to write a screenplay?his first!) A Los Angeles Daily News article from 1987 calls Mamet, Christopher Durang, Wendy Wasserstein, Terry Curtis Fox, and Overmyer "some of the finest television writers in America." As proof that the Journal trend is no trend, I submit as evidence the Dec. 14, 1986, New York Times article "Playwrights See New Promise on the Small Screen." The article's playwrights in TV-land include Wasserstein, Mamet, Durang, Mart Crowley, Beth Henley, Paul Zindel, Bernard Slade, Andrew Bergman, and Charles Fuller.